livres / books : livres rares - livres illustrés / rare illustrated books - artists' books |
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[Robert COMBAS].
La Cavalière de Pégase.
Paris, Editions Galilée, 2018. |
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[Julius BALTAZAR].
Où le vide des mondes.
Wequetecock Cove, 2013. |
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[Pierre ALECHINSKY].
Oldies.
Paris, Editions Galilée, 2012. |
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[Julius BALTAZAR].
Chant égorgé d'alouette.
Nice, Editions Matarasso, 2007. |
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[Vladimir VELICKOVIC].
KARTON.
Paris, Thalia Edition, 2006. |
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[CHRISTO et Jeanne-Claude]
The Gates - New York City.
Köln, Taschen Verlag, 2005. |
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[HUANG Yong Ping].
Le Livre, une Immanence.
Paris, Cyrille Putman, 1999. |
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[Pierre NIVOLLET].
Notes sur le motif.
Creil, Editions Dumerchez, 1998. |
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[Monique FRYDMAN].
Éloge du jaune.
Paris, L'Échoppe, 1998. |
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[CHRISTO et Jeanne-Claude]
Wrapped Reichstag - Berlin.
Köln, Taschen Verlag, 1996. |
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[Vladimir VELICKOVIC].
Dessins & Oeuvres sur papier.
Lausanne, Editions Acatos, 1996. |
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[Maurizio CATTELAN].
PERMANENT FOOD.
(Milan) - Dijon, 1995-2007. |
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[Martial RAYSSE].
Qu'il est long le chemin.
Paris, Editions Jannink, 1992. |
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[Christian ZEIMERT].
Moreau... Leurre de gloire.
Paris, Editions Jannink, 1993. |
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[Paul-Armand GETTE].
Coloriages Cinématographiques.
Wakken, Affaires en tous genres, 1993. |
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[Christian BOLTANSKI].
Les mots à secrets.
Paris, Yvon Lambert Editeur, 1993. |
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[Pierre ALECHINSKY].
L'ombre des glaciers - Poèmes.
Paris, Editions Galilée, 1992. |
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[Pierre ALECHINSKY].
Les exercices du regard.
Paris, Editions Galilée, 1991. |
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[Paul JENKINS, André VERDET].
Détours.
Paris, Editions Galilée, 1991. |
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[Pierre ALECHINSKY].
Débris reconstruits.
Montpellier, Fata Morgana, 1991. |
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[Jirí KOLÁR].
« Improvisation offset »
Paris, Revue K, 1991. |
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[Jirí KOLÁR].
Dictionnaire des méthodes.
Paris, Revue K, 1991. |
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[Christian BOLTANSKI].
Feu.
Paris, Daviot et Marcadé, 1991. |
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[CHRISTO et Jeanne-Claude]
Le Pont Neuf Empaqueté, Paris.
Paris, Adam Biro, 1990. |
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[Gianni BERTINI].
Gerbino.
Alès, P.A.B., 1989. |
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[COLLECTIF].
Noise n°8.
Paris, Maeght, 1988. |
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[Claude GARACHE].
Une écharpe d'eau fraîche.
Le Muy, Éditions Unes, 1986. |
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[COLLECTIF].
CARGO N°IV.
Paris, Atelier Bordas, 1984. |
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[Francis BACON].
Repères N°10.
Paris, Galerie Lelong, 1984. |
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[Abdallah BENANTEUR].
Petits textes remis à plus tard.
Paris, Ed. Saint-Germain-des-Prés, 1984. |
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[Hervé Di ROSA].
Hervé Di ROSA.
Paris, Gillespie Laage Salomon, 1983. |
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[Jean DEGOTTEX].
Récit.
Montpellier, Fata Morgana, 1982. |
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[Jean-Claude SILBERMANN].
CARGO N°1.
Paris, Atelier Bordas, 1982. |
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[Julius BALTAZAR].
OXY-GÉNÉRATION.
Paris, Editions Biren, 1980. |
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[Pierre ALECHINSKY].
Les clepsydres de l'inconnu.
Montpellier, Fata Morgana, 1980. |
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[CHRISTO et Jeanne-Claude]
The Running Fence - Californie.
New York, Harry N. Abrams Inc., 1978. |
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[Jorge CAMACHO].
Faire signe au machiniste.
Paris, Le Soleil Noir, 1977. |
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[Abdallah BENANTEUR].
Ce Matin très tard.
Paris, Benanteur, s.d. (1977). |
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[Paul REBEYROLLE].
Conte rouge pour paloma.
Paris, Editions Maeght, 1975. |
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[CÉSAR].
CÉSAR.
Paris, Editions André Sauret, 1975. |
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[IPOUSTEGUY].
Léonard de Vinci ou
La fin de l'humilité.
Paris, Le Soleil Noir, 1974. |
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[Hervé TÉLÉMAQUE].
Le retour du printemps.
Paris, Le Soleil Noir, 1974. |
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[Abdallah BENANTEUR].
Le poète inconsolé.
Paris, Benanteur, s.d. (1974). |
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[COLLECTIF].
Cinq pour un menu.
Paris, Imprimerie Moderne, 1973. |
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[Jacques HEROLD].
Travaux d'approche.
Paris, Gallimard, 1972. |
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[Pol BURY].
Vins puis faons pour les Anzacs.
Paris, Maeght, 1971. |
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[BEN (Vautier)].
Ecrit pour la gloire...
Nice, Ben, (1970-71). |
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[CHRISTO et Jeanne-Claude]
Wrapped Museum.
Chicago, MCA, 1969. |
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[Jacques MONORY].
La mort sans phrase.
Paris, Le Soleil Noir, 1968. |
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[Georges MATHIEU].
Le Privilège d'être.
Forcalquier, Robert Morel, 1967. |
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[COLLECTIF].
Livre d'or.
Paris, Galerie Edouard Smith, 1965-1966. |
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[Abdallah BENANTEUR].
Vivre en cas de terre.
Paris, A. Benanteur, s.d. (1965). |
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[Joan MIRÓ].
Constellations.
Paris, Berggruen & Cie, 1959. |
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[Karel APPEL].
COGNE CIEL.
Paris, Michel Tapié, 1955. |
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[Gérard SCHNEIDER].
Dessins de Gérard Schneider.
Alès, PAB, 1951. |
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[Gérard SCHNEIDER].
Langage.
Paris, Lydia Conti, 1948. |