livres / books / libros / bücher / libri : écrits - essais / writings - essays : 1 - 2 |
 |
|

Pierre Alechinsky.
Roue libre.
Genève, Editions Skira, 1971. |

Jean-François Bory.
Post-Scriptum.
Paris, Eric Losfeld, 1970. |

René Parola.
Optical Art.
New York, Beekman House, 1969. |

Michel Tapié.
Intro. à la connaissance esthétique (III).
Torino, Edizione del Dioscuro, 1969. |
 |

Michel Tapié.
Intro. à la connaissance esthétique (II).
Torino, Edizione del Dioscuro, 1968. |

[PICABIA] - M. Le Bot.
La crise des valeurs figuratives.
Paris, Editions Klincksieck, 1968. |

Daniel Pommereulle.
L'abolition de l'art.
Genève, Editions Claude Givaudan, 1968. |

Roberta Gonzalez.
L'Almicantarat.
Editions MCMLXVI, (1966). |
 |

Jean-Claude Silbermann.
La clef de l'existentialisme est une pie.
Paris, Editions Le Terrain Vague, 1965. |

Ladislas Kijno.
Introduction à la méthode de KIJNO.
Arras, Edition du Cercle Noroit, 1965. |

Pierre Klossowski.
Un si funeste désir.
Paris, NRF Gallimard, 1963. |

Gianni Bertini.
Pour parler (et pour cause).
(Paris), Editions du Castel Rose, 1962. |
 |

[CORNEILLE] - Jebeleanu.
Le sourire d'Hiroshima.
Paris, Editions Oswald, 1960. |

Ghérasim Luca.
La clef.
Paris, 1960. |

Georges Mathieu.
De l'Abstrait au Possible.
Zurich, Cercle d'Art Contemporain, 1959. |

[KIJNO] - R. de Solier.
KIJNO.
Paris, Imprimerie A. Lapied, 1958. |
 |

Collectif, Michel Tapié.
Observations of... Michel Tapié.
New York, Wittenborn / Jenkins, 1956. |

[ALECHINSKY] - Estienne.
Préludes aux noces.
Liège, Société des Beaux-Arts, 1951. |

André Breton.
La Situation du Surréalisme...
Université de Yale, (1942). |