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Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

© Henri Matisse - JAZZ. (+ zoom image)
 
Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

Henri Matisse - JAZZ. (+ zoom image)
 
Lithograph by Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

Lithograph by Henri Matisse. (+ zoom image)
 
Lithograph by Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

Lithograph by Henri Matisse - "The Circus". (+ zoom image)
 
Lithograph by Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

Lithograph by Henri Matisse - "The Horse, the Equestrienne and the Clown". (+ zoom image)
 
Lithograph by Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

Lithograph by Henri Matisse - "The Swimmer in the Aquarium". (+ zoom image)
 
Lithograph by Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

Lithograph by Henri Matisse - "The Knife Thrower". (+ zoom image)
 
Lithograph by Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

Lithograph by Henri Matisse - "The Lagoon (III)". (+ zoom image)
 
Lithograph by Henri MATISSE - JAZZ. Paris, Anthese Editions, 2004.

Edition justification. (+ zoom image)

[Henri MATISSE].

JAZZ.


Bibliographical Data

  • Paris, Anthese Editions, 2004, loose leaves in a cardboard folder and slipcase, 146 pp., (31.5 x 41.5 cm).
  • 20 full-page lithographs after the original stencils (pochoirs) by Henri Matisse.
  • The "autograph manuscript" text by Henri MATISSE is entirely lithographed.
  • First printing of 1500 copies.
    Reissue produced from copy no. 169 of the 1947 first edition, under the direction of Claude Draeger and Mario Ferreri.

Condition

  • Mint condition

Price and Availability


About the Work

The lithographs were printed by hand on a handpress at Idem-Mourlot on 250g Lana Royal paper.

This edition comes as close as possible to the quality of the 1947 stencils: freshness and brilliance of the colors, depth of the blacks. Some inks were even specially created for this edition in order to match as closely as possible the unique blues and fuchsias specific to Matisse.

 
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